1894
梅林宗筆
Maruyama/Shijō
1824
朶芳
Dahō(?)
a nearly identical design signed "Hōchū" 「芳中」appeared on a Hiroshige harimaze (see MFA 11.17203)
c. 1650-1750
道益圖之
1861
スケ
門人
福枩画
門人
福枩画
student signature on a Kunisada sugoroku board, probably too early to be Yoshimori II, who was 7 at the time
—
應需冩
繁谷
繁谷
not after 1868
新政
歌山廣重画
歌山廣重画
Aramasa, Utayama Hiroshige ga
perhaps a provincial artist?
un234📍:
Ikuhide?
幾英
appears to be an unidentified gō of Kunisada III; transcription and reading uncertain -- perhaps 茂英?
1875
鑒齋
probably 1856
丙辰春
香園
香園
1883
高齋画
年親校
年親校
un226📍:
Kuniyoshi
国吉
this signature replaces "Shōsai hitsu" 曻齋筆 on a Kunisada II / Ikkei collaboration
1786
戯蝶菴南卜圖
c. 1775-1790
西川画
Nishikawa ga
attributed by source to Nishikawa Sukenobu, but that artist is too early for this design
late Meiji?
信豊
c. late 1840s
貞重画
Sadashige ga
from a Kyōto sumizuri-e; presumably not the Edo artist of the same name
1867
泉基画門人國利
1872
薪水筆
un217📍:
Shiriana?
perhaps Ketsumedo
尻穴
the name is a play on the topic of the print; def.: (vulgar) asshole (anus)
un248📍:
Shōshū
樵舟
possibly the artist Kashima Shōshū 加島樵舟? (though described at one site as Shōwa-era)
mid 1820s
勝春曉
un254📍:
Sōkō?
素香
possibly the artist Kikuchi Sōkō(?) 菊池素香 (1852-1935), a student of Hashimoto Sesshō 橋本雪蕉
probably 1859
己未皐月
翠園寫
翠園寫
—
抱玉滕直刻筆
late 19th century
洞章
Tōshō(?)
perhaps the artist Kanō Tōshō 狩野洞章, aka Ogiwara Shunzan 荻原春山 (1821-1897)?
Seal:
靜囗齋
c. 1830s
二世
奴等齋
歌和
奴等齋
歌和
1852
門人安画
1820s
芳麿
c. 1850s-1860s
囗川画